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COMING SOON

WELCOME SPRING

MARCH 21 AND 22

 

SPECIAL SCREENINGS - CLASSIC CINEMA

TILL THE CLOUDS ROLL BY

Not Rated   2 hr 12 min  Directed by Richard Whorf   In English   (1947) 

Genre: Musical and Performing Arts

 

Sunday, March 21 12 PM

Monday, March 22 7:15 PM

 

All Tickets $5.00

 

Watch Trailer!

 

W/Frank Sinatra, Judy Garland, Lena Horne, Angela Lansbury, Cyd Charisse, Robert Walker, Kathyrn Grayson, Van Johnson, Tony Martin, Lucille Bremer, Van Heflin, Joan Wells

 

Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of his most famous: 'Showboat'

 

This large-scale Technicolor musical is one of those over-the-top, maximalistic productions that the Golden Age of the Studio System was famous for! Based on the life and times of composer Jerome Kern, TILL THE CLOUDS ROLL BY features an all-star cast which includes the great crooner Frank Sinatra, the legendary musical starlet Judy Garland, and the notoriously beautiful Lena Horne. And of course, it features many of the hit tunes of the era.

 

 

 

 

SPECIAL SCREENINGS IN APRIL

FRIDAY, APR 9 AND SAT, APR 10

OFF AND RUNNING

                         Not Rated   1 hr 18 min   Dir. by Nicole Opper   In English  (USA)

 

FRI, APR 9: 5:30

SAT, APR 10: 12 Noon

 

Tickets 6:50

 

                                                               Watch the Trailer!

      With white Jewish lesbians for parents and two adopted brothers — one mixed-race and one Korean—Brooklyn teen Avery grew up in a unique and loving household. But when her curiosity about her African-American roots grows, she decides to contact her birth mother. This choice propels Avery into her own complicated exploration of race, identity, and family that threatens to distance her from the parents she’s always known. She begins staying away from home, starts skipping school, and risks losing her shot at the college track career she had always dreamed of. But when Avery decides to pick up the pieces of her life and make sense of her identity, the results are inspiring. OFF AND RUNNING follows Avery to the brink of adulthood, exploring the strength of family bonds and the lengths people must go to become themselves.

 

"The director, Nicole Opper, makes space for the complexities of transracial adoption without forcing her film into a predetermined, inspirational box." —Jeannette Catsoulis, New York Times

 

"As the father of an adopted daughter, I was very moved. But the film is so well done that just about anybody will have that feeling."  —V.A. Mussetto, New York Post

 

"Nice coming-of-age doc about an African-American teen who shares a Brooklyn brownstone with the white Jewish lesbian parents who adopted her and two adopted siblings." —Doris Toumarkine, Film Journal International

Starts Friday, April 30

THE GIRL WITH THE DRAGON TATTOO

SOME FUTURE POSSIBILITIES

THE GHOST WRITER

RATING: PG-13 for language, brief nudity/sexuality, some violence and a drug reference

2 hr 8 min   Directed by Roman Polanski   In Englilsh

 

Watch Trailer!

 

Starring Ewan McGregor, Pierce Brosnan, Kim Cattrall, Olivia Williams, Tom Wilkinson, Timothy Hutton, and Eli Wallach

 

A gifted author hired to ghostwrite the memoirs of a controversial former British Prime Minister becomes a hunted man when he uncovers explosive secrets about the past. (Summit Entertainment).

 

****: " The Ghost Writer is the kind of impeccable adult entertainment, able to alternate edge-of-your-seat episodes with bleakly comic moments, that Hitchcock used to specialize in and that Polanski himself realized so successfully in "Chinatown" and "Rosemary's Baby."  —Kenneth Turan, Los Angeles Times

 

****: " The Ghost Writer is so rich you may feel you paid too little for your ticket when the whole thing meets its very Polanski-ish climax. Please don't tell anyone."  —John Anderson, Wall St. Journal

 

"Mr. Polanski’s work with his performers is consistently subtle even when the performances seem anything but, which is true of this very fine film from welcome start to finish." — Manohla Dargis, The New York Times

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